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Program
Focus Amerique Latine |
Tuesday March 30th, 2010 / 9 pm
Maison de l'Amérique Latine
Paris
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1/60 |
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Jonathan Barg
Argentina
2009 | 16 mm | 0:11:00
He portrays miserable reactions with his old reflex camera roll. She, with her modern digital camera, takes beautiful and innocent pictures. Until she starts to pursue and photograph him.
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Style |
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Triny Prada
Colombia, France
2009 | DV
Tribute to Sven Nykvist, Bergman director of photography.
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Rome |
Roma |
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Elisa Miller
Mexico
2008 | 35mm | 0:25:00
A train enters a soap factory. Inside : hidden travelers, immigrants. One of them gets off the train. In the factory she finds relief, help, solidarity.
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Túneles en el Rio |
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Igor Galuk
Argentina
2009 | DV | 0:20:00
Every summer hundreds of people disappear in the waters of the Rio de la Plata.
John and his two sons go fishing with trammel nets to the shore of river. The danger of snares, the rapid rise of the river and the wells will jeopardize the life of one of them.
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Paula |
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Juan Cortes Mancilla
Chille
2009| DV | 0:17:00
Paula is in the worst moment of her life. Family abuses and the uselessness of the school lead her to an imminent failure. In spite of this difficult situation, the collapse of Paula’s life brings to her the possibility of changing her destiny
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Summer Runners |
Corredores de Verano |
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Ana Guevara, Leticia Jorge
Uruguay
2009 | Video | 0:13:00
Summer Runners is a beautifully shot short film about the friendship between a girl and two boys who spend their evenings roaming the streets. They circle around each other and the changing tension between them is tangible. They do not speak. When she finally seems to choose one of the boys, the inevitable question ensues: how far does the 'innocent' friendship go?
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March 29th - April 11th 2010
We present film series focused on different countries and regions. This section intends to discover and explore different spaces and cultures with the aim to understand the specific regional, political and social circumstances, do reconstruct the emotional and intellectual spécificities of a special region or country. In this critical work we belief it's essencial to prefer films which rufuse, in its form and expression, the retake of sterotype ways of reality restituition, as an act of resistance in the actual period of "globalisation", which inclins to impose one dominating model of culture and habitutes..
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